When the New York gay cabaret group, Hot Peaches, played London in 1976, Bourne pestered them until he was taken into the troupe, and toured Europe with them. When they returned to New York, Bette, as he now was, was the main founder of Bloolips, the charity-shop drag review that kept going into the 1990s.
With the decline of Bloolips, Bette has found parts in more orthodox theatre. In 1989 he played with Regina Fong in Neil Bartlett’s Vision of Love Revealed in Sleep about 19th-century artist Simeon Solomon. He was one of the three actors who portrayed La Zambinella in the 1990 theatre version of Balzac's Sarassine, and played a somewhat controversial role as the gay drag queen supporting hetero-sexuality in A Little Bit of Lippy, 1992. In 1999 he played Quentin Crisp in the stage version of Resident Alien, having visited Crisp in his New York apartment. He has also played The Nurse in an all-male production of Romeo and Juliet at the Globe Theatre. He was in the stage version of Mother Clap’s Molly House, which was directed by Mark Ravenhill, who in 2009 put on a version of Bette’s life, A Life in Three Acts, in Edinburgh.
- Kris Kirk & Ed Heath. Men In Frocks. London: Gay Men's Press. 159pp 1984: 96-7, 102-3
- Rupert Smith. 'Straight theatre is all fake' The Guardian. Dec 5, 2005. http://arts.guardian.co.uk/features/story/0,11710,1657761,00.html
- Chris Bernard (dir). A Little Bit of Lippy. Scr: Martyn Hesford, with Bette Bourne as Venus Lamour. UK 75 mins 1992.
- Mark Ravenhill. “The fabulous life of Bette Bourne”. The Guardian. 23 August 2009. http://www.guardian.co.uk/culture/2009/aug/23/bette-bourne-mark-ravenhill.
Obviously the term 'Radical Feminist" as it was used in London GLF in the early 1970s has a very different meaning from how it was used by Janice Raymond and her ilk.