Liz Eden and Dog Day Afternoon: Part II - Imprisonment, the Movie and one more wedding

Trigger warning. This 3-part article contains quotations from John Wojtowicz, the major protagonist. The quotations contain frequent misgenderings, and in the latter 2 parts traditional English swear words. Caveat Lector.

Part I: Two Weddings and a Bank Robbery
Part II: Imprisonment, the Movie and one more wedding
Part III: Release, a final wedding and afterwards (and Bibliography)

A month after the robbery there was an extensive write up in Life magazine, “The Boys in the Bank”, which prophetically described John Wojtowicz as having “the broken-faced good looks of an Al Pacino or Dustin Hoffman”.

Arthur Bell’s investigation of claims that Wojtowicz had been set up by the Gambino family brought bomb threats to the Village Voice. At Gay Activist Alliance (GAA) meetings

“conservative and radical gays debated over whether Wojtowicz was a counterrevolutionary lumpen adventurer victimized by the mob or a proud gay superfly caught in an act of righteous expropriation, but the debate was inconclusive.” (Holm, 1976)

A bartender friend of Sal Naturale asked GAA to help fund a burial.  They declined and Sal was interred in the gigantic pauper burial site on Hart Island off the Bronx coast (which contains over a million corpses).

While in The Bayview Correctional Facility, 550 West 29^th St, John Wojtowicz wrote a will in which he allotted a portion of the proceeds from his life insurance to pay for Liz Eden’s operations.

Warner Brothers wanted to turn the Life magazine article into a film.

“They came down to make the movie deal when I was in prison, and I told them, ‘I’m not making no movie, ’cos you’re gonna make me look ridiculous.’ So they brought Ernie down from the nut house, and they brought me in and let me fuck him in the warden’s office, at the old federal prison on West Street in the Village. They brought him down there, and Ernie had the paper, and he said, ‘Sign the paper.’ I said, ‘I ain’t signing that paper.’ He goes, ‘Well, don’t you want me to have the sex change?’ I go, ‘Yeah.’ He says, ‘Well, if you sign this, they’re gonna take me outta the nut house, I’m gonna get the sex change. And I’ll come and see you.’ And I says, ‘OK, let’s fuck.’ And he goes, ‘What do you mean?’ I said, ‘Well, we’ll seal the deal with a fuck.’ So the warden left, you know, and we stayed in there, and we got down. In fact, I fucked him on the warden’s desk.” (Photos-Wojtowicz, 2003: 61)

Wojtowicz mug shot

Wojtowicz thinking that he had a deal pleaded guilty. He had sold his story for $7,500 and 1% of the net profit, but he had to sue (from prison) to get it. Liz was to get $2,500 for the operation. She returned to the West 10^th Street apartment. However, with the publicity about the film, the landlord realized who she was and evicted her.  She found a place in a gay rooming house in Brooklyn.

Wojtowicz was sentenced to 20 years, and placed in a federal penitentiary at Lewisburg. Pennsylvania.

As Carmen and John were still married, she visited him in prison. She was not pleased to encounter Liz Eden, also visiting. However the two somewhat became friends. Carmen called her when she had an orchiectomy with Dr Benito Rish in Yonkers in November 1972. She had a vaginoplasty the following March.

“He got out of the nut house . . . [but] they only gave him some of the money for the operation, not enough. So I had to have my mother and my wife [Carmen] give him more money. I signed the paper in November of ’72.”. After the operations Liz came to see John one last time, and explained that the doctors had told her to break off with him, and go somewhere else to be a woman. (Photos-Wojtowicz, 2003: 61-2).

John then attempted suicide, the evening before he was to be sentenced.

The working title of the film was, like the Life magazine article, Boys in the Bank, a riff on the successful pre-gay-lib gay drama, Boys in the Band, 1970. Director Sidney Lumet did not like this, and wanted something that suggested a hot, stuffy day near the end of summer. Thus it became Dog Day Afternoon – although without accuracy in reference to the rising of Sirius at the hottest days of summer. However the film was shot in late autumn, and the actors had to chew ice cubes so that their breath would not be seen. Sidney Lumet, the director was quoted as saying that Pacino was at risk because “no major star that I know of had ever played a gay man”.

The trans component in the film is quite small. The Liz-John wedding is not shown. The lover, Leon (=Ernest, and played by Chris Sarandon, Susan’s then husband), who appears for only a few minutes, is presented as a mid-70s gay stereotype, who has been informed by the shrinks that he is a woman trapped in man's body. He does not seem to be too happy with this conclusion. Despite its dubious portrayal of Leon, the film was much applauded for featuring a sympathetic, fully-rounded bisexual male. There is no mention of mafia contacts. Wojtowicz may, as Life Magazine said, have resembled Al Pacino, but the connection was secured as Pacino was cast as Sonny Wortzik (=Wojtowicz). Wojtowicz afterwards became known as the Dog because of the film. John Cazale, who had starred with Pacino in the The Godfather films, was cast as Salvatore despite being 37 rather than the real Sal’s 18. The film Sal insists that he is not gay – in contradistinction to the real one. Sal is the only character in the film to have the same name as the corresponding real person.

Wojtowicz commented on the film:

“Well, they never tell you I was against him having the operation all along. And the only reason I decided to let him have the operation was because I wanted to save his life. Therefore, saving his life was the number one thing, and as long as you’re trying to save somebody’s life, whatever you’re doing’s not wrong. And I loved him enough to do that. That never comes across in the book or the movie. It’s just like, they make fun of my fat wife, Carmen, and they [implicitly] say, well, if you had a wife that was fat and had a big mouth, no wonder you went with the drag queen. But that’s a lie. I didn’t go with the drag queen because my wife was fat or ugly. To me, my wife was beautiful. And I like big women! ’Cos I like the Sophia Loren/Elizabeth Taylor type. The reason I broke up with my wife is because of our in-laws, and because I’m what you call an old-fashioned Italian: I’m the boss. Her parents would always interfere with us, and she would always take the parents’ side over me. And that’s what led to the breakup. …  And [Sal] was gay, not like the movie tells you. He never said, “Tell them there ain’t two homosexuals in there,” ’cos he was a chicken hawk. He liked young guys and he had an apartment in the Village and he used to bring kids up there.” (Photos-Wojtowicz, 2003: 54, 57.)

Pacino took the film to Lewisburg Penitentiary before the official release intending to introduce the film. However the warden initially refused to allow the film to be shown even though Warner Brothers were offering it without cost. Wojtowicz made a fuss, and was supported by gay and straight newspapers on the outside, and the warden relented. However several of the other inmates after seeing it took the film to be saying that he had sold out Sal. Wojtowicz was subsequently beaten up and his cell set on fire. He had to be moved to a different prison.

Carmen visited him in the prison hospital. An attendant said to her: “Oh, you’re the other wife”, and she was informed that Liz was listed as next of kin. That was it. She went to see a divorce lawyer.

Liz

Carmen Wojtowicz sued Warner Brothers for invasion of privacy and unauthorized used of her and her children’s names and portraits.

Liz Eden sued Warner Brothers for libel and they settled out-of-court. Word was that Liz received somewhere between $25,000 and $50,000. For a while she had an agent and there was talk of a book deal, a nightclub act and even a discotheque to be called ‘The Garden of Eden’.

Wojtowicz started an affair in prison with George, a jailhouse lawyer, black, Irish and Jehovah’s Witness. They were married in the prison yard by a Jesus Freak. George got Wojtowicz’ sentence reduced and he was released in November 1979, but was then returned for parole violations such as still seeing George.

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$2,500 in 1975 is $14,500 now.

It was standard practice at the time for sex-change doctors to tell their patients to break off all gay contacts and go live somewhere where their prior self was not known.

While Wojtowicz was not in any way co-ordinating with the heliacal rising of Sirius, the date of the rising has moved – because of the precession of the equinox – from 19 July at the time of the Caesars to the third week of August now.  If you are 50° north or more, it is on 21/22 August.

“no major star that I know of had ever played a gay man”. Presumably Lumet, although in the film-biz had not heard of Dirk Bogart in Victim, 1961. However this was a New York film being edgier than anything from Los Angeles.

Sidney Lumet has made many great thrillers and crime films, and is known for his social concerns and depictions of minorities, however the gender variant persons in his films are either minor or get killed: a mannish lesbian briefly glimpsed in The Group, 1966; Jack Doroshow (Sabrina) in mufti in The Anderson Tapes, 1971; heterosexist female impersonator, Gypsy Haake has a cameo in The Morning After, 1986; International Chrysis' character is killed, and the other trans women are humiliated by Nick Nolte's bad cop in Q & A, 1990.

Leo Wollman (1914 – 1998) gynecologist, hypnotist, sexologist.

Original March 2007; revised October 2013; 1st paragraph revised December 2019 with information from Wollman's step-granddaughter.

Leo Wollman lived almost his entire life on Mermaid Avenue, Coney Island, Brooklyn, except for his medical education in Edinburgh. He married in 1936, and he and his wife, Eleanor, frequently travelled back and forth to Scotland for a few years. Eleanor sailed home in September 1939 as war broke out, but Leo stayed in Scotland until 1942. ++They had two sons Arthur (1943 - 2019) who became a urologist in San Diego, and Bryant who became a mailman.  Arthur in turn has a son who also became a doctor. In the mid-1950s Eleanor died, and Leo remarried and adopted his new wife's daughter.

Leo became a gynecologist at the Maimonides Medical Center, Brooklyn. He was also a hypnotist and interested in psychosomatic dentistry. In some newspaper accounts he is described as a psychiatrist.

Wollman (right) at a Hypnosis Conference in Mainz, 1970.

On July 31, 1961 Wollman, in his role as a hypnotist, appeared in a television discussion re the use of the then new pacemaker. He was head of the New York Society of Clinical and Experimental Hypnotism.

In the mid-1960s Wollman became an associate of Harry Benjamin, and they shared a practice. Wollman started running a group session where transsexuals could meet and exchange ideas and experiences. He also used hypnosis to determine whether a transsexual was authentic.

In Benjamin's 1966 book, The Transsexual Phenomenon, Wollman is described as a "noted gynecologist and student of hypnosis". He is quoted and what he said is found at the bottom of this article.

In December 1966 Dr Carl Coppolino, anesthesiologist and hypnotist, was on trial for the murder of his lover's husband. The now jilted lover claimed that Coppolino hypnotized her into injecting her husband with succinylcholine which caused a heart attack. Leo Wollman testified that under hypnosis:

"It's impossible to have a subject do something they feel they are morally unable to do". 

Coppolino was acquitted, but four months later he was convicted of murdering his own wife by an injection of succinylcholine. He served 12½ years.

WBI Boston 1968 with Dr Leo Wollman.  Presenter Bob Kennedy

In 1968 Wollman was phoned from Toronto by Dianna Boileau, and arranged for a local doctor to prescribe female hormones for her. Also that year he was in the WBI Boston television channel with Virginia Prince. On September 19, 1969 he was on the Phil Donahue television show to discuss transsexual operations.

Wollman contributed a paper on post-operative care of the neo-vagina to Richard Green & John Money's 1969 book, Transsexualism and Sex-Reassignment.

In 1970 he flew up to Toronto for the release of Dianna Boileau's autobiography. He rather dominated the event and predicted that transsexual women would be able to become pregnant within 10 years. At this time he claimed 110 sex change patients with only one case of regret. He estimated 5 male-to-females for each female-to-male.

In the early 1970s he was President of The American Society of Psychosomatic Dentistry and Medicine.

Lyn Raskin's 1971 autobiography, Diary of a Transsexual uses the pseudonym "Dr Len Williams" for Dr Wollman. He sent her to Dr Burou in Casablanca for surgery. A few years later Wollman's patients were having surgery in the New York area, at Yonkers Hospital, by plastic surgeons Benito Rish and David Wesser. Eventually both Rish and Wesser had their licenses lifted by the state medical board, although their work with transsexuals was not cited as the reason.

Another associate of Wollman was Garrett Oppenheim, a cis-heterosexual who had previously been a journalist on the New York Herald-Tribune. He then became a hypnotist and sex counselor. He and his wife sold counseling cassette-tapes, ran an organization for transsexuals called Confide, and published an associated newsletter called Transition.

In 1971 the Erickson Educational Foundation sponsored the production of a 28-minute documentary, I am Not This Body, which featured a discussion in the EEF office between Zelda Suplee, Leo Wollman, two trans women and actress Pamela Lincoln (who was purportedly seeking information about transsexuals). Suplee and Wollman had previously known each other through their mutual interest in hypnosis.  Around this time Suplee introduced Wollman to the exploitation film director, Doris Wishman, who was interested in making a film about transsexuals.

In 1973 Wollman published an article advocating female circumcision as a cure for frigidity.

Wollman was an associate of Michael Salem, the cis-heterosexual who ran a boutique in New York and a mail-order service for transvestites. Wollman advised re colors and lingerie styles. He also helped Salem write his 1973 book How to Impersonate a Woman. He then sent copies to what he called "the clown-transvestites": Milton Berle, Tony Curtis, Johnny Carson, Flip Wilson, George Burns, Jack Benny.

In 1977 Renee Richards was obliged to go to court to establish her right to play in women's tennis. Both her surgeon Dr Roberto Granato and Dr Wollman testified on her behalf. Wollman stated that he had treated over 1,700 transsexual patients and that

"It is his view that Dr. Richards should be considered a female... despite the fact that the chromosomes may appear to be that of a man, if she has the external genital appearance, the internal organ appearance, gonadal identity, endocrinological makeup and psychological and social development of a female, she would be considered a female by any reasonable test of sexuality."

From 1971 Wollman had been working with Doris Wishman (1912 – 2001) one of the very few female exploitation film directors of her generation. Their joint project/film first came out as Adam or Eve, 1971, but was later recut with additional footage and released in 1978 under the title Born A Man... Let Me Die A Woman. Cinematography was done by Casa Susanna regular Andrea Susan Malick.  It was advertised, misleadingly, as: 'All true! All real! See a man become a woman before your eyes'. In a cross between a documentary and pornography, Dr Wollman, who reminds us of his MD, his PhD and his DD, shows us scenes where a transsexual explains that she will get a womb transplant and have a baby; dramatized scenes where trans women pick up men for sex; gory close-ups of vaginoplasty; dramatized suicides and self-castrations. Incorrect biological explanations are given, e.g. that homosexuality and transsexuality are both the result of incorrect development of glands. The film contains footage from Wishman's previous films, and has continuity errors. The credits are misleading: only some of the real trans women are listed; porn star Harry Reems (who did not know that he was in the film) is listed as Tim Long; porn star Vanessa del Rio is not listed at all. It was banned in the UK. Kleinhans argues that the reels are in the wrong order, and that Wishman "constantly undermines the doctor's discourse of tolerance with footage that presents transsexuals as freaks and staged episodes that exploit transsexualism for sensationalistic effect". However there is no record of Wollman disassociating himself from the film or complaining about Wishman's final cut. Wishman was quoted in Psychotronic Video 26.:

Wollman in Let me Die a Woman

“I found the transsexuals to be very sad and lonely people. Because of that, I paid them more than anyone else, to ease my conscience, I guess. I didn’t want to think that I was exploiting them, although I really wasn’t. They were all very happy to be in the film.” 

There is a paperback tie-in to the film by MJ Lucas (who may be either Wishman or Wollman).

In 1979 Rosalyne Blumenstein, then 15 but claiming to be 16, took the bus and train out to Mermaid Avenue to see who she describes as "a sweet little old doctor" who gave her a bottle of Provera. However she never went back.

Along with Paul A. Walker, Ph.D., Jack C. Berger, MD., Richard Green, MD., Donald R. Laub, M.D., Charles L. Reynolds, Jr., M.D., Wollman was a co-author of the first Harry Benjamin Standards of Care which was approved at the Sixth International Gender Dysphoria Symposium, San Diego,California, February 1979.

Dr Leo Wollman died in 1998, aged 84. His widow donated his papers and other material to Transy House which established the Wollman Archives of Transgender History and Culture.

The 1999 article by Teresi & McAuliffe claims that Wollman treated 2,800 transsexuals, and that he hormonally primed one of his patients to breastfeed his own child. The patient was still with her wife and they took turns feeding the child.


*Not the economist

Wollman's publications:

• "Hypnosis in Weight Control". American Journal of Clinical Hypnosis, 4,3,1962: 177-180. DOI:10.1080/00029157.1962.10401892.
  
• "How Prenancy Tests Work". Sexology: Modern Guide to Sex Knowledge, 31, March 1964.
  
• "Hypnosis for the Surgical Patient". American Journal of Clinical Hypnosis, 7,1,1964: 83-5. DOI: 10.1080/00029157.1964.10402397.
  
• "A Brief Note on the Origin of the Psychoprophylactic Method (PPM) in Obstetrics." American Journal of Clinical Hypnosis 7.1,1964: 85-86.
  
• Quoted in Harry Benjamin. The Transsexual Phenomenon. New York: Julian Press, 1966. New York: Warner Books Edition 1977: 161-2 Online at: www2.hu-berlin.de/sexology/ECR6/benjamin and at www.mut23.de/texte/Harry%20Benjamin%20-%20The%20Transsexual%20Phenomenon.pdf.
  
• "Brief statistics on female adolescents." Journal of Sex Research 2.1,1966: 25-26.
  
• "In contrast to the schizoid, the normal individual maintains his unity and identity through the strength of his impulses and feelings. The difference in the two conditions can be contrasted diagrammatically in terms of impulse formation and muscular activity. Collapse of schizoid rigidity plunges the individual into a schizophrenic." Fertility and Sterility 17.2,1966: 273-277.
  
• "Transsexualism: Gynecological Aspects".  Transactions of the New York Academy of Sciences, 29: 463, 1967. doi: 10.1111/j.2164-0947.1967.tb02280.x
  
• "Surgery for the Transsexual." Journal of Sex Research 3.2,1967: 145-147.
  
• "Abstracts of Current Literature." American Journal of Clinical Hypnosis 11.2, 1968: 132-134.
  
• "Office Management of the Postoperative Male Transsexual". In Richard Green & John Money (ed). Transsexualism and Sex-Reassignment. Baltimore: The Johns Hopkins Press, 1969.
  
• "Hooded Clitoris: Preliminary Report". Journal of American Psychosomatic Dentistry and Medicine,20, 1973: 3-4.
• "Female Circumcision". Journal of American Psychosomatic Dentistry and Medicine, 20, 1974: 130-1.
  
• "The Effect of Deviate Behavior on a Marriage". Osteopathic Physician, 41,5, 1974: 111.
  
• "Nonverbal communication for prevention of mental illness." Journal of the American Society of Psychosomatic Dentistry & Medicine, 22,2,1975: 51.
• With Paul A. Walker, Ph.D., Jack C. Berger, MD., Richard Green, MD., Donald R. Laub, M.D. & Charles L. Reynolds, Jr., M.D. Standards of Care: The hormonal and surgical sex reassignment of gender dysphoric persons. The Harry Benjamin International Gender Dysphoria Association, Inc. 1979. Online at: www.genderpsychology.org/transsexual/hbsoc_1990.html.
  
• With Erwin DiCyan, George Goldberg & Arthur Hastings. "Holistic approaches to oral health and dentistry". Health for the whole person: the complete guide to holistic medicine (1980): 333.
  
• With Laurence Lotner. Eating Your Way to a Better Sex Life: The Complete Guide to Sexual Nutrition. Pinnacle Books, 1983.
  

Other sources:

• "Coppolino May Take Stand: The Defense Rests". The Norwalk Hour, Dec 14, 1966. Online at: http://news.google.com/newspapers?nid=1898&dat=19661214&id=TuogAAAAIBAJ&sjid=qW8FAAAAIBAJ&pg=4953,3405220.
  
• Kathleen Rex. "Canada's first sex-swapper asks for understanding: Doctor sees day coming when transplants will enable fathers to become mothers". The Globe and Mail. Sept 16, 1970.
  
• Lyn Raskin. Diary of a Transsexual, Olympia Press, 1971.
  
• Dianna as told to Felicity Cochrane, with an Introduction by Leo Wollman. Behold, I Am a Woman. New York: Pyramid Books, 1972.
  
• Michael Salem. How to Impersonate a Woman; A Handbook for the Male Transvestite. NY: M. Salem Enterprises, 1973.
  
• Jack O'Brien.  Schenectady Gazette, 2 Nov 1973
• "Richards v. US Tennis Assn". Leagle, August 16, 1977. www.leagle.com/decision/197780693Misc2d713_1654.
  
• Doris Wishman (dir). Born A Man... Let Me Die A Woman. Hosted by Leo Wollman, with trans persons Leslie, Lisa Carmelle, Deborah Harte, Ann Zordi, and porn stars Harry Reem, Angel Spirit and Vanessa del Rio. Scientific and medical advisor: Dr Leo Wollman. US 78 mins 1978.
  
• M.J. Lucas. Let Me Die A Woman: The Why and How of Sex-Change Operations. New York: Rearguard Productions. 1978. The book that goes with the film. Leo Wollman consulted.
  
• Thomas Waugh. "Medical Thrills: Born A Man... Let Me Die A Woman". The Body Politic, 49, Dec 1978-Jan 1979: 41-2. Reprinted in The Fruit Machine: Twenty Years of Writings on Queer Cinema. Durham (N.C.): Duke university press, 2000.: 72-3.
• Dick Teresi & Kathleen McAuliffe. ""Male Pregnancy"Omni, 8, 1985. Reprinted in Patrick D Hopkins (ed), Sex/Machine: Readings in Culture, Gender, and Technology. Indiana University Press, 1999. 
• F. Hodges. "A Short History of the Institutionalization of Involuntary Sexual Mutilation in the United States" in George C. Denniston & Marilyn Fayre Milos (eds). Sexual Mutilations; A Human Tragedy. Springer, 1997: 32.
  
• Joanne Meyerowitz. How Sex Changed: A History of Transsexuality in the United States. Cambridge, Ma, London: Harvard University Press, 2002: 214, 216, 222, 227, 252.
  
• Rosalyne Blumenstein,. Branded T. 1st Books Library, 2003: 70. 
• Michael J. Bowen.  " 'StrangerHer': The Peculiar Saga of Let Me Die a Woman".  Booklet included in Synapse DVD release of Let Me Die a Woman, 2005. 
• Tania Modleski "Women's Cinema as Counterphobic Cinema: Doris Wishman as the Last Auteur"; Chuck Kleinhans "Pornography and Documentary: Narrating the Alibi" in Jeffrey Sconce. Sleaze Artists: Cinema at the Margins of Taste. Duke University Press, 2007:60-2, 112-4, 119.
• SJ Parker. Emails to Zagria, 22,28 September 2013.

EN.WIKIPEDIA   
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Apparently 'Wishman' is Doris' birth name, and there is no implication from it of her being transgender.

What should we make of Dr Leo Wollman?  Was he a second Harry Benjamin who helped almost 3,000 transsexuals on their way, or was he a hypnotist conman who associated with dubious practioners and took the patients whom Benjamin was unsure about.   Or was he a mixture of the two.  His involvement with Doris Wishman in producing a film that is best regarded as camp has not helped his reputation.  Either way there were no eulogies after his death as there were for Benjamin.   His publications are mainly short, and there is no biography of him.

The Carl Cappolino trial was in December 1966.   18 months later Robert Kennedy was assassinated, purportedly by  Sirhan Sirhan.   This assassination is frequently cited as a hypnotic subject being compelled to kill.  Philip H. Melanson's. The Robert F. Kennedy Assassination: New Revelations on the Conspiracy and Cover-Up, 1968-1991.  S.P.I. Books, 1994 actually quotes Leo Wollman on the topic as ironic background while arguing for the opposite.

Female circumcision is, among other reasons, condemned in that it, far from curing frigidity, removes the clitoris and thus any possibility of sexual pleasure.

The Wollman quote in Benjamin's The Transsexual Phenomenon is:

"Before irrevocable surgery makes the transition from male to female physically permanent, it is essential that a psychiatric evaluation and a psychological examination be done. This is indicated for the protection of the physician as well as the patient. Also a period of observation under estrogen therapy to reduce libido and tension is recommended.

It is suggested, as an avant garde technique, that hypnotic progression might be an important asset in the true evaluation of the transsexual's needs and aspirations. This projection into the future may, in some cases, dispel certain faulty attitudes and provide the faltering future female with second thoughts before definitive surgery.

Following the preparatory estrogen hormone therapy to provide breast tissue and decrease the male libidinous feelings, the transsexual embarks upon a new life immediately after the surgical removal of the external male sexual apparatus and the creation of a functional vaginal sheath. Many varying surgical procedures have been divised and are being carried out with equivocal results. However, in those cases where medicine and surgery have successfully created a phenotypic female, the "gynecological" problems of the male-to-female individual merit special attention.

For this patient, patient understanding and gentle treatment are necessary. The most frequent complaint after the operation, excluding the painful convalescence, is urinary frequency usually due to a urethro-cystitis. Antibiotic treatment will effect a rapid surcease from the disquieting urinary signs and symptoms.

A rather unusual urinary complaint is the control of the direction of the urine stream flowing from the urethra. If the urethral opening remains high, the flow will run over the rim of the toilet seat. This messy condition may be prevented by adjusting the tilt of the pelvis to permit the urine to flow into the bowl.

Another common complaint is the inability of the transsexual (now a female) to consummate sexual intercourse. This may be due to many factors. Notable among these are 1) an artistic vagina, 2) a narrow introits, 3) a thin vaginorectal septum, 4) an insufficiently lubricated vaginal canal, 5) vaginal bleeding from the apex of the freshly scarred vaginal pouch after vigorous coitus.

Treatment for these aforementioned dyspareunic states will vary with the condition found. Simple hygienic measures, proper lubrication methods, new coital techniques, dilatation by means of a Kelly aluminum dilator or a bakelite Young's dilator or a solid plastic mold worn with a flattened superior surface to protect the urethral passage, and sensible advice usually meted out to newly-weds are some of the physical and psychophysiological treatments found effective.

Above all, it is imperative for the gynecologist to regard his patient as a "female" - as "she" so rightly deserves to be considered after the lengthy and costly efforts to become a physical female. A great deal of research is indicated by the medical and psychological investigators before more consistent help can be offered to these male transsexuals, now ostensibly functioning females. The Harry Benjamin Foundation is now actively engaged in a research program of this type."

Flawless Sabrina, Rachel Harlow and 'The Queen'

Jack Doroshow (1939 -  2017) Drag Name: Flawless Sabrina. Drag performer and organizer of pageants from Philadelphia. Through his company, The Nationals Academy, Jack organized 46 pageants a year from 1959-1967. As local laws almost always prohibited cross-dressing, he would meet with officials and propose a charitable donation, and in return the town would pass a variance to permit the pageant. Usually the town officials did not understand that local people would be performing. The 1967 finals held in New York was a much bigger affair. The Muscular Dystrophy Association was announced as the charity, and Lady Bird Johnson, the President’s wife, and Robert Kennedy were initially co-sponsors, but quickly dropped out as the nature of the event became clearer.

The event was filmed as The Queen, 1968, which was a sensation at the Cannes International Film Festival. On this basis Jack was hired as special advisor on Midnight Cowboy, 1969, and Myra Breckinridge, 1970. He played a gay mufti part in the thriller, The Anderson Tapes, 1971.

The 2002 short film, Between Two Worlds, is mainly about him, and he appears in the 2008 documentary about the transgender rock singer, Lisa Jackson.

See also a longer article on Rachel Harlow.

Rachel Harlow (1948 - ). Born Richard Finocchio in Philadelphia, aka Rachel Billeboult. In 1967 Rachel was a very passable female impersonator, described as a 'natural wonder’, who always won the drag contests she entered, and she became briefly famous in the film, The Queen, 1968.

The contestants are shown chatting in their hotel rooms, discussing how they were not called in the draft, their boyfriends, why they would never have a sex change. Richard throws a fit because he does not have a suitable wig (although her own hair is quite feminine enough). The film includes shots of only Richard (as male as he gets) arriving and departing, and Richard, as Harlow on stage, gets longer and better-lit close-ups than the other contestants. She went to Cannes International Film Festival with the film and was a center of attention. David Bowie, in his androgynous phase, cited her influence.

She transitioned in 1972. In later years she was active running nights clubs, including Harlow’s at 22^nd and Market, and in local television in Philadelphia.

For a long while that was all the public knowledge about Rachel. Then Wendy Leigh published her biography of Grace Kelly, and included two pages on Rachel, who had an affair with John B. Kelly, the brother of Grace, who would have married her if his mother had not threatened to disinherit him.


Crystal Labeija (? - ? ). Crystal was the other standout among the contestants in The Queen, under the title, Miss Manhattan. She threw a tantrum at the end after losing to Rachel Harlow.

She was the founder of the New York House of LaBeija in 1972, which in turn inspired others to declare Houses, sometimes named after themselves – e.g House of Corey after Dorian Corey, sometimes named after established fashion houses such as Chanel or St Laurent. Crystal Labeija is discussed, but does not appear in the 1990 film, Paris is Burning.



The young Billy Schumacher, who will later become the famous International Chrysis, and the young Kim Christy are in the chorus line, but are not identified.
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• Frank Simon (dir). The Queen. Hosted by Jack Doroshow (Sabrina). US 68 mins 1968.
• Gazelle. “Flawless Sabrina”. The Blitz Kids. www.geocities.com/le_beat_route/flawlesssabrina.html.
• William Grimes. “ ‘The Queen’ on the Runway Again”. The New York Times. March 27, 1993. http://query.nytimes.com/gst/fullpage.html?res=9F0CE5D71530F934A15750C0A965958260
• Martin B Duberman. Stonewall. New York : Dutton, c1993. New York: Plume, 1994: 186.
• Wendy Leigh. True Grace: The Life and Death of an American Princess. New York: St Martin’s Press 307 pp 2007: 9,219-20.
• Gary Morris. " 'There was no before!': The Queen". Bright Lights Film Journal. Sept 1996.http://www.brightlightsfilm.com/17/08b_queen.html

The film:

(note: Rachel is listed under her male name.   This is still the case in IMDB.)