Jonathan Ames (1964 - ) novelist, columnist.

Jonathan was raised in a Jewish family in suburban New Jersey. He studied at Princeton, and his first novel, I Pass Like Night, 1989, was his senior thesis.

In 1990 he flirted with an older woman in a bar in Pennsylvania, and the memory stayed with him.

In 1992, Ames moved to New York, started sharing an apartment with an older man, and succeeded in becoming a columnist at The New York Press. Looking for inspiration for his second novel, he took up boxing and also started spending time at Sally’s, the transgender bar on 43^rd Street, across from The New York Times. He turned much of this into his second novel, The Extra Man, 1999, in which Louis Ives is fired from a New Jersey prep school after being caught trying on a bra, moves to New York, shares an apartment with an older man, and spends time at Sally’s where he is unsure whether he is a budding transvestite or a tranny chaser. His apartment mate later catches him in bed with a trans woman.

In 2001, Ames was sent Aleshia Brevard’s The Woman I Was Not Born to Be that he should write a blurb for the book, and remembered that the woman in the bar in Pennsylvania in 1990 was also Aleshia. He noted “a rash of books” on gender changes: Suits Me: The Double Life of Billy Tipton, As Nature Made Him, Crossing,

Also around this time, Jonathan Lethem gave me a copy of The Vintage Book of Amnesia, which he had edited, and I thought to myself, I want to put together an anthology, it looks like easy money. So I asked Lethem how much he was paid for the book and he told me a rather high number, which turned out to be all wrong. But I didn't discover that until much later. Thus spurred by visions of money, combined with the confluence of all these gender books, I got the idea in my head for an anthology whose unifying theme would be the changing of one's sex. I was going to include transsexual memoirs, the Middlebrook and Colapinto books, some stuff on hermaphrodites and transvestites, and works of fiction that featured transsexuals. Gore Vidal, Jerzy Kosinski, John Irving, and David Ebershoff all had novels that qualified on this front, and I figured I could self-promote and include a passage from The Extra Man.

I was teaching then at Indiana University, so I used the Kinsey Library and Xeroxed about a thousand pages of material and sent it off to Vintage. They made an offer that was one-third of what Lethem had told me he got. I checked with him and he realized he had made a mistake.

I was disappointed but took their offer, and the editor and I decided I should whittle the book down just to the memoirs of transsexuals. Then it was such a pain in the ass  to get permissions--I had naively thought Vintage would do this for me--that I didn't do anything with the book for years. I kept waiting to make some money from Hollywood so that I could pay Vintage back the first part of my advance. Then some money from Hollywood did come in, and instead of giving up on the anthology, which I had been privately referring to as the "tranthology," I hired someone and he did everything and now the book is out! So the book is about sex and I did it for money. A classic tale! (Ames & Ames 2005).

Ames regards transsexual memoirs as akin to Bildungsromans, coming of age novels. He also makes an intriguing claim that Franz Kafka’s ‘Metamorphosis’ draws on case 129 in Krafft-Ebing’s Psychopathia Sexualis.

He has described himself as “probably the gayest straight writer in America”. In his interview with himself, he makes a distinction between a tranny-chaser and a transy-chaser, and then does not really admit to being either.

• Jonathan Ames. The Extra Man: A Novel. Scribner, 1998.
• Jonathan Ames. Sexual Metamorphosis: An Anthology of Transsexual Memoirs. Vintage, 2005.
• “He said, s/he said: Jonathan Ames on Jonathan Ames”. Artforum International. Jun 22, 2005. Online at: www.thefreelibrary.com/He+said,+s%2Fhe+said:+Jonathan+Ames+on+Jonathan+Ames-a0133644421.
• George Koschel. “Jonathan Ames”. glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender and Queer Culture. 2002. www.glbtq.com/literature/am_mes_j.html.
• “Jonathan Ames”. Current Biography. October 2007. www.hwwilson.com/currentbio/cover_bios/cover_bio_10_07.htm.
• Interview with Jonathan Ames. “Boxers and Transsexuals in Times Square. Big Think. Nov 11, 2009. http://bigthink.com/ideas/17265.
• Shari Springer Berman & Robert Pulcini (dir & scr). The Extra Man. From the novel by Jonathan Ames, with Paul Dano as Louis and Kevin Kline as Henry. US 2010.
• “Jonathan Ames”. Wikipedia, the free encyclopedia. en.wikipedia.org/wiki/Jonathan_ames. 

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Given that Ames is quite out about having a thing for trans women, it is odd that the Wikipedia page about him mentions it not at all.

The selection of excerpts in Ames’ anthology is - how shall we say – conservative.  It you have read several trans biographies, you will have read most of them.  The book would be much more rewarding if he had sought out the less well known biographies, and perhaps translated some that are not currently available in English.  But that would have been more work.

Here is the trailer for the film version of The Extra Man.  Notice how the trans content is just not there.

Eddie Murphy (1961 - ) comedian, actor.

Murphy was born in Brooklyn, New York. His cop father left the family when Eddie was three, and was killed when he was eight.

He was famous by age 19, when he became a regular on Saturday Night Live (1980-4). His stand-up comedy routines were noted for their homophobia. He achieved Hollywood fame in the 48 Hours films, 1982, 1990, Trading Places,1983, the Beverley Hills Cop films, 1984, 1987, 1994, Coming To America, 1988, the Nutty Professor remakes, 1996, 2000, and voicing the donkey in the three Shrek films, 2001, 2004, 2007.

He played in drag in The Nutty Professor films, where he plays all members of the Klumps family, and both genders again in Norbit, 2007.

He was married to Nicole Mitchell 1993 – 2006 and they had five children.

In 1997 he picked up transy prostitute Atisone Seiuli and she was arrested in his car. Several other Los Angeles transy prostitutes including Karen Dior talked to various publications about encounters with Murphy dating back to the early 1980s.

Some later retracted when approached by Paul Barresi, a porn actor in gay films who became famous when he sold a story to The National Enquirer for $100,000 about having a two-year affair with John Travolta, and was now working for Murphy’s lawyers. Barresi offered money if they retracted.

Candace Watkins tell-all book also disappeared from the internet. Atisone Seiuli died in a mysterious fall from her apartment.

• Candace Watkins writing as Carnal Candy. In the Closet with Eddie Murphy. 1997. e-book
• Mark Ebner & Jack Cheevers. “The Bagman”. New Times. April 26, 2001. Online at: www.hollywoodinterrupted.com/archives/the_bagman.phtml.
• "Eddie Murphy". Wikipedia, the free encyclopedia. en.wikipedia.org/wiki/Eddie_Murphy

The greatest artist of the 20th century

One of the most colourful figures in the scene around transgender persons is the Marquis of Pubol, Salvador Domingo Felipe Jacinto Dalí Domènech, best known as Savador Dalí. The artist and filmmaker.

His 1929 film with Louis Buñuel, Un Chien Andalou, contains a character described as a 'hermaphrodite'.

He offered to do a painting of April Ashley as Hermaphroditos but she did not want to immortalized in her half-way status.

From the 1960s he was and remained a friend and mentor of Amanda Lear, and rumours say that he paid for her operation with Dr Burou in Casablanca in 1963. She lived with him and his wife for many years. Some say that her name = ‘a man’ + ‘dali’ or "L’amant Dali”.

In 1965 Mario Montez the New York underground film female impersonator made his iconic Andy Warhol film, Screen test Number 2. the one where he confronted about his gender and admits that he is a man, but he does so, he says, only because he is a woman. Savador Dalí was present and is in the film.

In the late 1970s he trained Manuela Trasobares Haro (who had transitioned at the age of 15) as an artist.

Also in the 1970s had his own set in New York.   Most famously he was a friend of International Chrysis, the New York drag celebrity, best known for her role in Sidney Lumet's 1990 film Q & A.  He appears in the 1992 documentary film about her life, Split: William to Chrysis: Portrait of a Drag Queen.    

Anthony Haden-Guest describes the scene.  Potassa de la Fayette "was often part of the entourage of Salvador Dalí. If any 'ism' ruled in Studio, it was voyeurism. Most went to see or be seen. Dalí, a veteran of the human gaze, would go with people he needed to impress. A man who liked a hectic sort of order, he would follow a routine, dining first —Trader Vic’s was a favorite spot—with his considerable retinue of regulars before going on to the club. 'There were always three or four transvestites,' says Roger de Cabrol, a designer and regular himself. “Potassa. There was
this French transvestite, very pretty, named Pascale."

Dalí was also seen at the GG Barnum Room with Ava Hollywood.

In the late 1970s, Dalí was close to the Brazilian 'trans diva', Yeda Brown. He introduced her to musicians and the press called her ‘the muse of Dalí’.

• Duncan Fallowell &April Ashley, April Ashley’s Odyssey, Jonathan Cape, 1982: 69.
• Anthony Haden-Guest. The Last Party: Studio 54, Disco, and the Culture of the Night. William Morrow, 1997: 113.
• Ian Gibson. The Shameful Life of Salvador Dalí. Faber and faber, 1997: chp 14.

IMDB(Screen Test #2)  

Trans Mirror(Yeda Brown)

ES.Wikipedia(Manuela Traspoares)

EN.Wikipedia(Split: Portrait of a Drag Queen)