This site is the most comprehensive on the web devoted to trans history and biography. Well over 1400 persons worthy of note, both famous and obscure, are discussed in detail, and many more are mentioned in passing.

There is a detailed Index arranged by vocation, doctor, activist group etc. There is also a Place Index arranged by City etc. This is still evolving.

In addition to this most articles have one or more labels at the bottom. Click one to go to similar persons. There is a full list of labels at the bottom of the right-hand sidebar. There is also a search box at the top left. Enjoy exploring!

28 March 2010

Bette Bourne (1939 - ) performer.

Peter Bourne was born in the east end of London. He studied at the central School of Speech and Drama in the 1960s, and subsequently toured with Ian McKellan doing Shakespeare. He also had small parts in the television series The Prisoner and The Avengers.

He then dropped out and became a Radical Feminist activist during the days of the Gay Liberation Front in the early 1970s. With a group of similar-minded radical drag queens he set up a squat in a disused film studio in Notting Hill.

When the New York gay cabaret group, Hot Peaches, played London in 1976, Bourne pestered them until he was taken into the troupe, and toured Europe with them. When they returned to New York, Bette, as he now was, was the main founder of Bloolips, the charity-shop drag review that kept going into the 1990s.

With the decline of Bloolips, Bette has found parts in more orthodox theatre. In 1989 he played with Regina Fong in Neil Bartlett’s Vision of Love Revealed in Sleep about 19th-century artist Simeon Solomon. He was one of the three actors who portrayed La Zambinella in the 1990 theatre version of Balzac's Sarassine, and played a somewhat controversial role as the gay drag queen supporting hetero-sexuality in A Little Bit of Lippy, 1992. In 1999 he played Quentin Crisp in the stage version of Resident Alien, having visited Crisp in his New York apartment. He has also played The Nurse in an all-male production of Romeo and Juliet at the Globe Theatre. He was in the stage version of Mother Clap’s Molly House, which was directed by Mark Ravenhill, who in 2009 put on a version of Bette’s life, A Life in Three Acts, in Edinburgh.
__________________________________________________________________________________

Obviously the term 'Radical Feminist" as it was used in London GLF in the early 1970s has a very different meaning from how it was used by Janice Raymond and her ilk.

    No comments:

    Post a Comment

    Comments that constitute non-relevant advertisements will be declined, as will those attempting to be rude. Comments from 'unknown' and anonymous will also be declined. Repeat: Comments from "unknown" will be declined, as will anonymous comments. If you don't have a Google id, I suggest that you type in a name or a pseudonym.