They preferred the terms ‘feminine impressionists’ and ‘femme mimics’. Although the management and performers were gay, the show was aimed at straight audiences, winning acceptance through comedy. The performers would tell interviewers of wives and girlfriends, but they were largely mythical. Brenner performed in the earlier show, while Brown MC’d. Then they introduced male-impersonators, Mickey Mercer and Tommy Williams, to be MC, an innovation that was copied by drag clubs everywhere. The Revue then went a step further in 1955 hiring the Afro-American Stormé DeLarverie to MC. The Revue, almost uniquely at that time, employed white, black, Latino and native performers. It made an unprecedented tour of the black theater circuit.
Artists who performed with the troupe include: Lynne Carter, who was often billed as the star, International Chrysis, Ricky Rene, Terry Noel, T.C. Jones, Lavern Cummings, Tony Midnite, Angie Stardust, Perry Desmond, Holly White, Kim August, Tobi Marsh, Gayle Sherman, Harvey Goodwin, Libby Reynolds, Chris Moore, Betty and many others.
The Revue closed in the early 1970s.
- J.D. Doyle . “The Jewel Box Revue”. Queer Music Heritage. www.queermusicheritage.us/fem-jewl.html.