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Showing posts with label LA GLF. Show all posts
Showing posts with label LA GLF. Show all posts

16 September 2020

More on Angela Douglas

 I have previously discussed Angela Keys Douglas:

TAO and Angela Douglas

Angela Douglas (1943 - 2007) musician, activist
History of TAO: bibliography
History of TAO: Part 3: aftermath
Kimberley Elliot (1953 - 1980) TAO, Neo-American Church
More on Angela Douglas

In July 2019 a Gender Critical Reddit thread  linked to the original 2007 posting.  Apparently some anti-trans women think that a letter, be it satirical or whatever, from 42 years ago, written by someone who died 12 years earlier, and who never worked well with other trans activists, is a relevant document in discussing trans activism today!!!!                         My Reply.

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There is a new biography on Morris Kight, the long-time gay activist in Los Angeles (EN.Wikipedia) which contains extra information on Angela Douglas.

  • Mary Ann Cherry. Morris Kight: Humanist, Liberationist, Fantabulist. Process, 2020: 152, 161-4, 227, 294-6.

Kight did pioneering work in gay activism from the late 1950s onward, and was a co-founder of several enduring organizations. However he did tend to exaggerate his work. As Cherry reports:

“In 1994, Kight said: 'Transgender is very real. Whatever that may be, that’s transvestites, cross-dresser, male/female trans—female to male. And there’s transvestite heterosexuals, male to male, female to female. I created "transgender." I’ve been recreating the language, and that’s one of the terms. First, I tried "transpeople," and that didn’t fly. Then I created "transgender," and that flew, and it’s now in the language. I think that’s appropriate.' Kight frequently took credit for the creation of nomenclature." (p162)”

       (See my 6-part series on the history of the word 'transgender' which does not mention Kight at all). 

By 1970 Kight was acquainted with Angela Douglas, who was then using the name Douglas Key and was a writer for the Los Angeles Free Press. Comments from activists described Key: 

“I remember one member named Doug who was an attractive, masculine, muscular young man who always wore a dress to the meetings. Sexual attraction was always a feature of these get-togethers." (p161)

And 

“A pre-op trans white guy who was very male and loud. A royal pain in the ass—had male privilege written all over him. The women did not want him in their group. He was upset that Morris made some funny comment about ‘transsexuals need to learn how to keep their seams straight,’ referring to Key’s inability to keep facts straight." (p161)

Cherry: 

“Key, a pre-op transsexual, was still writing under the name ‘Douglas Key’ in 1970 and may have had a hormonal reaction to gay lib. Key reported thoroughly on GLF meetings, gatherings, schedules of upcoming events, and wrote eyewitness accounts as well as editorials. Key, who was not homosexual, pushed for the inclusion of ‘trannies’ in the gay movement; it was not an automatic love-fest. Transsexuals and transvestites were not guaranteed the understanding and acceptance in a room full of out-of-the-closet gays and lesbians." (p161)

In February 1970 Los Angeles was hosting the Western Homophile Conference. Key wrote: 

“Attempts to obtain the use of the Masonic temple were crushed when temple officials discovered ‘homophile’ was not ‘hemophilia’ and rejected the WHC request.”

Key was generally considered disruptive and difficult. Key’s reports almost always mentioned ‘transvestites’ within the movement, and often violent reactions from ‘gaylibbers’. She also made it news when Virginia Prince spoke at GLF.

Cherry writes that Kight:

“respected the way Key used his byline to advance his personal agenda. Key compared gender re-identification issues with homosexuality. Most homosexuals did not agree that the two were the same, acknowledging that transsexual is not homosexual. The gay movement had never before embraced gender issues—role-playing, yes. But not gender. . . Key instigated what was perhaps the largest 'ripples of discontent' in the early movement when he reported that 'transvestites and transsexuals have come to the conclusion that the Gay movement is not valuable to their manifestations.' Key pushed it at GLF meetings for quite a few months and the tension mounted on both sides of the 'discussions'.”

GLF member Craig Hansen spoke with Connie Vaughn, a transsexual member of the Metropolitan Community Church (MCC) who expressed an opinion that Key was not a real transsexual but did have a severe gender identity problem complicated by paranoid fantasies.

Key spoke of the end of GLF, and several times published that she was quitting the organization, but was back the next week, until one week she was not. The Advocate reported: 

“Sunday was orderly and amiable. Key was not present”.

Cherry says that Kight recognized that Douglas was a pioneer in her cause, that of transgender rights, which was a difficult battle, but that 

“Angela probably did not possess the right temperament to achieve the goal”.  

Shortly afterwards Douglas left Los Angeles, and via Chicago, New York and Atlanta ended up in Miami. She frequently wrote to Kight. In an early letter, Douglas wrote that she had befriended the local MCC pastor for 

“desperately needed assistance … I am a physical wreck—horrid leprous sores on my feet and legs. The sun, air and cleanliness of the city is curing me quickly.”

She had ups and down: “I am really quite the lesbian now, very well accepted as such by most gay sisters and I am most happy about this” but later ““No money and I’m living on the street. Where are the so-called brothers and sisters? Bullshit....”

Later she wrote:  

"It is so hard to be a woman, so hard, & I am proud to be even a partial one. Inside me, I am a woman; my exterior is beginning to match the inside. It seems you understand me better now—I miss all of you, of course, very much. You are all such a big part of my life. Yes, freedom, Morris, freedom to be a man or a woman, to be gay, to be straight whatever.”

Cherry mentions Douglas’ surgery with Butcher John Brown – although she gives the year as 1976. 

Afterwards Douglas returned to Miami and mailing and phoning Kight. Cherry says 

“She had become more mentally unhinged; her letters demonstrate a constant emotional pendulum swinging from lonely and distraught to sociable and manic”. 

The phone calls degenerated into death threats. According to Cherry, by 1984 Kight had become aware that Douglas using the birth name of Douglas Czinki was communicating with the Secret Service and had named Kight as a Libyan agent. 

After Douglas won a substantial sum on the Florida lottery in 1991, Kight heard no more from Douglas, not even after she squandered the money was again impoverished.

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As I have mentioned before, as Douglas was gynephilic, why did she not attend meetings of Virginia Prince's organization?

Cherry’s book is based on a personal acquaintance with Morris Kight and access to his papers. Her end notes do include Douglas’ writings for the Los Angeles Free Press, but offer no way to connect the quotes in the main text to a particular piece.

In addition to my own writings, The major writings about Angela Douglas are:

  • Kay Brown. "Angela Keyes Douglas". Transsexual, Transgender, and Intersex History. 1998. Archive
  • Joanne Meyerowitz. How Sex Changed: A History of Transsexuality in the United States. Harvard University Press. 2002: 236, 237-241, 257, 271, 333.
  • Mark Hinson. "Angela's ashes: Farewell to a wild pen pal". Tallahassee Democrat, August 24, 2007. Reproduced.
  • Susana Pena. "Gender and Sexuality in Latina/o Miami: Documenting Latina Transsexual Activists". In Kevin P. Murphy & Jennifer M. Spear (eds). Historicising Gender and Sexuality. Wiley-Blackwell, 2011: 755-772.

Cherry apparently consulted none of these. There is no mention of Douglas as a musician; no mention of the controversial letter to Sister magazine in 1977.

The letter was just after her unsatisfactory surgery with John Brown. Every other source gives the date as 1977. Cherry say 1976 but gives no reason for disagreeing with the others.

Twice in Cherry’s book there is reference to an anonymous source: Douglas “was described by a prominent Professor of Gender Studies as ‘A really important figure in the gay lib history of Los Angeles’ “ (p181) and “One prominent historical researcher also described her as ‘a really important figure in the gay lib history of Los Angeles’ “ (p294). The end notes contain a letter from Susan Stryker, PhD, so she is presumably the ‘prominent’ source – why not just name her in the text?

Stryker’s 2008 “primer text” for undergraduates, Transgender History, contains one and a half pages on Douglas, but also is not referenced, even though it is one of the very few sources to mention Kight and Douglas together.

04 June 2007

Angela Douglas (1943 - 2007) musician, activist

TAO and Angela Douglas

Angela Douglas (1943 - 2007) musician, activist
History of TAO: bibliography
History of TAO: Part 3: aftermath
Kimberley Elliot (1953 - 1980) TAO, Neo-American Church

In July 2019 a Gender Critical Reddit thread  linked to this 2007 posting.  Apparently some anti-trans women think that a letter, be it satirical or whatever, from 42 years ago, written by someone who died 12 years earlier, and who never worked well with other trans activists, is a relevant document in discussing trans activism today!!!!                         My Reply.

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Unlike some of the persons whom I have featured in this series, Angela Douglas had, before her recent death, been recently posting on the web, and has a new CD out. The last item may surprise those who have read the account of Angela Douglas either on Kay Brown's now defunct Transsexual, Transgender and Intersex History site, or in Joanne Meyerowitz: How Sex Changed: A History of Transsexuality in the United States, neither of which mentions her musical career.

As an exercise, I am going to write a sketch of Douglas taking facts only from Brown and Mayerowitz, and then again from Douglas' web postings. The two versions are radically different.

Brown and Mayerowitz version:
Born: Carl Czinki. A hippie and aspiring rock musician who came out as transgender in 1969. She became the radical transy leader in Transsexual Action Organization (TAO)--the major US transgender group other than Reed Erickson's EEF at that time-- in Los Angeles in the early 1970s, and then in Florida. She emphasized the importance of working with both Women's Liberation and Gay Liberation groups. She deplored the medical model and pathologization of transgenderism, and called on the American Psychiatric Association to remove transsexuality from its list of mental disorders. She was antagonistic to the Erickson Education Foundation which she found patronizing and too close to the medical establishment. Satire that Douglas wrote about the exclusion of transies from the lesbian community was recycled misleadingly and out of context by Janice Raymond in The Transsexual Empire, and also by Catherine Millots in Horsex. She later won a lottery prize, obtained surgery, and moved back to Florida.



The contentious writing quoted in Raymond and Millots was originally published in Sister Aug-Sep 1977, p7. As quoted by Raymond p xvii it goes: "Free from the chains of menstruation and child-bearing, transsexual women are obviously far superior to Gennys in many ways .... Genetic women are becoming quite obsolete, which is obvious, and the future belongs to transsexual women. We know this and, and perhaps some of you suspect it. All you have left is your 'ability' to bear children, and in a world which will groan to feed 6 billion by the year 2000, that's a negative asset."


From Douglas's own postings we get a certainly different slant:
Born: Douglas Carl Czinki in Detroit in 1943 to Hungarian immigrants. Raised on US Air Force bases. He completed his education in Tokyo where he was in his first rock band. Served in the US Air Force. In the late 1960s, using the name Doug Delain, he briefly played guitar with Arthur Lee and Love, with Euphoria and then with Warren Zevon. He had a cameo as a pot smoker and did art work for the 1967 film The Trip. Provided his home for a Jimi Hendrix television special. His Cuban wife left him in 1967. Began transition in 1969. She ran TAO which had over 1000 members in 5 countries. She was frequently attacked, and was beaten unconscious 6 times. She dismisses the idea that the letter sent to Sister was satire, and has made comments that are homophobic, misogynist and anti-feminist. She has been an FBI informant since 1972. She had surgery courtesy of John Brown in 1977, which left her mutilated. She helped to get him arrested. She dissolved TAO in 1978. Douglas has lived as a man since 1982, homeless and celibate, except for two years after winning a lottery in 1991. The money ran out when he had a stroke. He also has diabetes. In 1998 he returned to performing as a man, Last Drop Douglas, and and issued a solo CD, Cosmo Alley, in 2003.
Emails and postings consulted:

Douglas Carl Czinki to Kay Brown- no date - included on Brown's site.  Archive

A.L. Douglas posting on Sympathy on Milli Vanilli Jul 7, 2000.
Angela Lynn Douglas posting on dev.greenspun.com November 10, 2002.
Angela Douglas 2 postings on "Transsexuals allowed in Olympics" Amorous Propensities May 21, 2004 and October 21, 2004.
A.L. posting on band family tree.com 5/28/2005.
Tanglehead posting on Messageboard for Love Fans 16/11/2005.
Angela Douglas posting on Arthur Lee Tribute June 27, 2006.
Angela Douglas (Tanglehead) posting on Yellow Swordfish>>Arthur Lee and Love 2006-08-26.
Angela Douglas posting on the Cindi Lauper web page. 14 March 2007.
Tanglehead posting on ufowatch no date.


Angela Douglas died in 2007.

    Here is an obituary by Mark Hinson in the Tallahassee Democrat on August 24, 2007. It is no longer available on the original site:

    Angela's ashes: Farewell to a wild pen pal

    LET'S GO BLOG WILD: My mail box is a lot emptier now that self-described "notorious transsexual," rock musician, lottery-winner, lottery-squanderer and prolific letter-writer Angela Douglas has died.
    Douglas, who lived in Sneads in Jackson County, died of complications from heart trouble earlier this month. She was 64. As she said in one of her last communiqués: "I am 64 and Paul McCartney doesn't care."
    In the above photo are Stuttering John, left, from "The Howard Stern Show" and, right, Angela Douglas. The picture was taken in Panama City Beach, circa 2000.

    When I was a young reporter in the '80s, Douglas used to phone me in the newsroom of the Tallahassee Democrat and launch into wild, rambling monologues that were part performance art and part paranoid fantasy. She was always convinced someone had stolen her life story.
    When "Top Gun" became a monster box-office smash in 1986, Douglas wanted to sue Tom Cruise for pilfering her self-published autobiography "Triple Jeopardy" from 1982. (I don't remember many trannies flying fighter jets in that pic, unless Goose wasn't telling us something, do you?) Famous musicians such as Warren Zevon, she claimed, had stolen her songs without payment.
    Mostly, I just let her vent. As I learned long ago in bartending class, you let the customer talk while you just wipe the bar with a rag and keep saying, "Yep, I know what you mean."
    Getting flaky phone calls in a newsroom is nothing new. For a few months, a caller identifying himself as God would phone up to predict the day's weather. And, you know, most of the time he was more accurate than the professional meteorologists we paid to do the same job. (God says it's going to be hot this weekend, by the way.)
    I was prepared to write Angela off as just another kook. But then I did a little research and found out she really had worked on the fringes of the music and movies industries in Los Angeles during the '60s and early '70s. She'd worked with Arthur Lee before he formed Love and really did know Zevon (in his starving-artist days). Jimi Hendrix may or may not have recorded one promo at her home in L.A. That house was also used as a set for Roger Corman's 1967 acid-dropping classic "The Trip" with Peter Fonda and Dennis Hopper.

    Douglas started life as Carl Czinki - and played guitar under the name Doug Delain in the L.A. band called Euphoria - but decided to switch sexes in 1969. The transformation was complete by 1977, when Douglas had become an outspoken writer/journalist for the transgender community. This is the same time period she became convinced television and movie producers were stealing her life story.
    I have no idea how or why Douglas ended up in rural Jackson County in the late '80s.She settled in dinky Grand Ridge near Sneads and lived in impoverished conditions. This made her very bitter and she often lashed out at gays and blacks when she called me with another rant.
    When her phone calls from pay phones suddenly stopped, they were replaced by a stream of letters. I still have stacks of the things. Some are coherent, some are funny, some are hand-scrawled screeds that are impossible to read.
    Then, in the summer of 1991, Douglas had a rare stroke of good fortune. She won $232,567 in the Fantasy Five lottery game. After taxes, the lottery cut her a check for $186,000.
    In a newsletter published by the lottery, Douglas crowed that she was going to buy an electric guitar, a used red Corvette, tell everyone in Grand Ridge to kiss her you-know-what and move to Key West.
    And that is exactly what she did.
    A few months later, she was back in Jackson County living in poverty. Again. She'd found plenty of friends in Key West who were more than happy to help her spend her free money.

    Occasionally, I'd get good news from Douglas. In 1997, she wrote a twisted little novelty song called "Andrew Cunanan" and it end up on Dr. Demento's nationally syndicated radio show. (She also penned parody tunes with titles such as "Ghost Eunuchs in the Sky.") In 2003, she released a CD called "Cosmo Alley" under the name Last Drop Douglas. She even played a few live shows at festivals around North Florida and drove to Panama City to meet Stuttering John from Howard Stern's radio show. Douglas both loved and hated Howard Stern.

    Most of the Douglas letters, however, were depressing. Naturally, the FBI was after her. She railed against doctors (many of whom I knew personally in Marianna) who were allegedly conspiring against her by denying her treatment. Her surgery from the '60s and '70s had left her with many medical complications, which she discussed at length and I won't repeat. It wasn't pretty, I'll tell you that. I hope sexual-reassingment surgery has gotten a little better since the '60s.

    Earlier this year, Douglas sent me a tape she'd recorded while she was in the hospital. It starts with the chilling intro: "This Angela Douglas and I am dying." The rest of the message is classic Douglas - nutty accusations, bold claims, too much personal information about her medical conditions, crazy tales of her musical past. All classic Angela.
    As I listened to the tape, it suddenly dawned on me: "Hey, her life story really would make for an interesting movie or play. Wonder why anyone hasn't done it before?"
    -----
    PS The British actress Angela Douglas, whose first fame was in several Carry On films, is a different person.

    PPS Kay Brown's page includes stories, "probably apocryphal" she says, about Douglas as a transactivist at the 1968 Democratic National Convention in Chicago, and at the Stonewall riot in 1969. These do seem implausible, and in writing the above, I have ignored them.

      There was a British branch of TAO. Amazingly Stephen Whittle was involved in it. For details see p192-3 of Ekins & King The Transgender Phenomenon, 2006.

      I certainly agree that someone should write a book about Angela Douglas and TAO.