Anne Bonny and Mary Read, Pirates

1720 was the year of a major crime, the first international stock bubble and crash that was the South Sea Bubble in England, The Mississippi Bubble in France and the Windhendel in the United Provinces (Netherlands). Built on slavery and colonialism, and mixed with public debt engineering, the bubble lead many small investors into bankruptcy.

Later that year there was a distinctly lesser crime that was to become iconic, although because of the time it took news to cross the Atlantic, word of the event did not reach London until 1721.

The Jamaica Colony, which was mainly a vast prison colony where African slaves were obliged by extreme violence to toil in sugar plantations for the enrichment of an English elite, had encouraged pirates to operate from Jamaica from the 1650s, as long as they did not attack English ships. They were even issued with letters of Marque to make it official. One Jamaican pirate, Henry Morgan was arrested in 1671 and summoned to London, but was acclaimed by the population as a hero, and so was knighted instead. He returned to Jamaica where he served as Governor three times. By 1685 the remaining pirates were evicted from Jamaica and they relocated to the Bahamas.

Boston Gazette, 31 January 1721

On 16 November 1720 there was a trial of pirates held in the High Court of the Admiralty in the Jamaican capital St Jago de la Vega (later to be known as Spanish Town) presided over by the Captain-General and Governor in Chief, Nicholas Lawes. Captain Jack Rackham and his crew of twelve had been caught off Negril on the west side of Jamaica. They were tried, accused of “Piracies, Felonies and Robberies on the High Seas”. The reading public was intrigued by the fact that the crew included two women: Anne Bonny and Mary Read.

Although no-one had been killed, the victims had been taken captive “in Corporal Fear of their Lives”.

Witness Dorothy Thomas described how, while sailing on the north Jamaican coast in a canoe with provisions, Rackham’s sloop approached and Rackham relieved her canoe of “most things that were in her”. The two women in Rackham's crew “wore Men’s Jackets and long Trouzers, and Handkerchiefs tied about their Heads, and that each of them had a Machet and Pistol in their hands and cursed and Swore at the Men … That the Reason of her knowing and believing them to be Women then was, by the largeness of their Breasts”.

Two French volunteers, John Bessneck and Peter Cornelian, who had been captured by Rackham, testified to a raid on Thomas Spenlow, master of a schooner taken on 19 October. They testified in French and it was reported via an interpreter that the women “were very active on Board and willing to do any Thing … they wore Men’s Cloaths; and at other Times, they wore Women’s Cloaths”.

All thirteen accused were found guilty. Both women plead ‘not guilty’ but said nothing in their defence. However after being found guilty, the two then “plead the belly”. Sentence was suspended so that their condition could be verified. Nothing further is recorded. Apparently the eleven men were quickly hanged. Rumour has it that Mary Read died of complications from her pregnancy. Nothing further is recorded of Anne Bonny.

Just over three years later an otherwise unknown writer, Charles Johnson, published A general history of the robberies and murders of the most notorious pyrates. This contains a lengthy chapter on Anne Bonny and Mary Read which fleshes out the meagre details from the trial using the standard pattern of tales about 18th century adventurous women, both making them bloodthirsty amazons and also wives and mothers. While there is no account of how he could know what he added to the trial record, the book was a best seller, and is the source of most books on piracy for the next 300 years. In a second edition, Johnson acknowledged that some ‘gentlemen’ had challenged the first edition’s accuracy.

Mary Read killing - no historical basis

As with Charlotte d’Eon and other 18^th century characters of note, the story was filled out in various ways, but modern scholars are unable to confirm the additions.

With one exception. In 2020 Tyler Rodriguez, a YouTuber who investigates mysteries, using the Mormon online genealogy database, was able to access the Parish Registry of Burials of St Catherine. First he found an entry for “Mary Read, pirate” as dying 28 April 1721, which fits the rumour that she died from complications of pregnancy. Then he found an entry for an Ann Bonny as dying 29 December 1733. If this is the same Anne Bonny, then she stayed in Jamaica. However we don’t know how she avoided execution.

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I have followed Julie Wheelwright and Tony Bartelme in this account. I have not linked to any of the EN.Wikipedia entries for they all seem to be based on the fictional additions of Charles Johnson. Likewise the 2021 book by Robert Peal is yet again a paraphrase of Charles Johnson. Peal totally ignores Jo Stanley's book and the writings of Tony Bartelme on the subject.

The recent Starz television series Black Sails featured Anne Bonny as a major protagonist. However the script for that series openly mixed characters from Stevenson’s Treasure Island with some real historical pirates and with Charles Johnson’s fictions. Impressive as it was, it does not claim to be true.

Anne Bonny in Black Sails based on an 18th century imagining

In 1930 John Robert Moore (1890-1973), a Daniel Defoe scholar, proposed that Charles Johnson was a pseudonym for Defoe. He also added 140 other titles to the Defoe canon, more than any other scholar. Furbank & Owens comment: “In our view, his argument for ascribing the General History of the Pyrates to Defoe was hopelessly flawed and depended on verbal ‘parallels' so vague and generalised as to carry no conviction at all; moreover, it ran up against awkward objections and problems with which he did not really cope”. Nevertheless many library and online catalogues now attribute the book to Defoe. There is no record of Defoe visiting Jamaica to interview witnesses.

So, were Read and Bonnie transvestites or even trans men? There is no shortage of publications claiming such. They are even cited in introductions to transgender history.

However. One witness testified that they switched between men’s and women’s cloaths as appropriate.

Jo Stanley (p44) writes: “wearing trousers did make practical sense. The reason most women donned breeches was to travel safely, to avoid molestation and to get into situations where only men were supposed to be. Wearing trousers allowed women pirates the freedom to climb, work with ropes, go up and down ladders.” All the same reasons that a 21^st century cis female sailor also wears trousers etc.

Here is an illustration of how women dressed around 1700. Does anyone think that a person so dressed could climb a mainmast or swim between ships?

So were they transvestites?

There is no reason to assume that they were. Not Proven!

• The Tryals of Captain John Rackam, and other Pirates.Robert Baldwin, 1721. Online.
• Captain Charles Johnson, A general history of the robberies and murders of the most notorious pyrates : and also their policies, discipline and government, from their first rise and settlement in the island of Providence ... With the remarkable actions and adventures of the two female pyrates, Mary Read and Anne Bonny. To which is prefix'd an account of the famous Captain Avery.Ch Rivington 1724. Online.
• Jo Stanley.“The women among the boys” and “Uncovering the oceans’ Roaring Girls” in Jo Stanley (ed). Bold in her Breeches: Women Pirates Across the Ages. HarperCollins, 1995: 51-60.
• Julie Wheelwright. “Tars, tarts and swashbucklers” in Jo Stanley (ed). Bold in her Breeches: Women Pirates Across the Ages. HarperCollins, 1995: 176-189.
• P N Furbank and W R Owens. A Critical Bibliography of Daniel Defoe. Pickering & Chatto, 1998: xix-xx.
• Tony Bartelme. “The true and false stories of Anne Bonny, pirate woman of the Caribbean”. Charleston Post and Courier, Nov 21, 2018. Online.
• Tony Bartelme. “A 22-year-old YouTuber may have solved Anne Bonny pirate mystery 300 years after trial. Charleston Post and Courier, Nov 28, 2020. Online.
• Robert Peal. “Anne Bonny and Mary Read: The Pirate Queens of the Caribbean”. In Meet the Georgians: Epic Tales from Britain’s Wildest Century. William Collins, 2021: 26-39.

Two false positives in 1960s-70s New York

Some trans women are indeed into performativity, to exaggerated femininity and attention seeking.  Such persons are often referred to as Drag Queens even though they do not perform on a stage or screen.

Some cis women too are into performativity. Since such performativity has become associated with Drag Queens, performative cis women are sometimes (mis)taken as trans. And so …

Hope Stansbury (1945 - ) actress, scriptwriter

Stansbury was born in New York and raised in the cheaper parts of Maryland, New Jersey and South Philadelphia. After school she took up with a flamboyant hairdresser and a tough drag queen. They moved to Manhattan and Hope became associated with the mainly gay Caffe Cino, 31 Cornelia Street, which put on plays and is now considered the birthplace of Off-Off-Broadway. For a while she lived at the gay art gallery owned by Frank Thompson, and worked there for room and board - the only female in the place. In her cobwebby dresses, white make-up and black eye-liner, Hope stood out among the Caffe Cino crowd - where she opened the doors and set up for each evening. “She was so incredibly exotic that you had the impression that she was a transvestite” said actor/director Eric Concklin.    Candy Darling is said to have based her look largely on Hope. Hope got her own apartment down the street and decorated it with mirrors, cats and Snow White memorabilia. 

Salvadore Dali asked her to pose; Carlo Ponti gave her a screen test.

She wrote a script about anonymous relationships and meetings in gay bathhouses, which became the first film by gay director Andy Milligan, renamed Vapors. He paid her $200 for the script. She acted in several of his films, and also had a small part in a Sidney Poitier film.

Hope now lives in France.

• Jimmy McDoniugh. The Ghastly One: The Sex-Gore Netherworld of Filmmaker Andy Milligan. Acappella, 2001: 78-81.
• Rob Craig. Gutter Auteur: The Films of Andy Milligan. McFarland & Company, 2013: 9, 27-8, 84, 94.

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Andrea Feldman (1948-1972) actress

Feldman, a native New Yorker, was educated at Quintano's School for Young Professionals, a high school for the performing arts. She was in three films associated with Andy Warhol, and took to referring to herself as Ms Andy Warhol. In the 1970 film Groupies she was referred to as Andrea Whips. A regular in the back room of Max's Kansas City, she pioneered a performance which she called "Showtime", in which she performed a striptease on the round table, at the center of the room. She became known for her dependence on drugs, particularly amphetamines.

In August 1972, she summoned her ex-boyfriends, and then jumped from her parents’ 14^th floor apartment holding a crucifix and a bible. She left a note: “I'm going for the big time, I hit the jackpot!"

Andrea was cis. So why does Robert Hofler write?:

“Word had gotten back to Holly and Candy that Andy was no longer into chicks with dicks, which made them wonder why [director Paul] Morrisey had cast Andrea Feldman, aka Andy Feldman, to play Sylvia Miles’s daughter in the film [Heat, 1972].

• Robert Hofler. Sexplosion: From Andy Warhol to a Clockwork Orange - How a Generation of Pop Rebels Broke all the Taboos. ItBooks, 2014: 265

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