This site is the most comprehensive on the web devoted to trans history and biography. Well over 1400 persons worthy of note, both famous and obscure, are discussed in detail, and many more are mentioned in passing.

There is a detailed Index arranged by vocation, doctor, activist group etc. There is also a Place Index arranged by City etc. This is still evolving.

In addition to this most articles have one or more labels at the bottom. Click one to go to similar persons. There is a full list of labels at the bottom of the right-hand sidebar. There is also a search box at the top left. Enjoy exploring!

15 March 2018

Ayta Sözeri (1976 - ) actress.


Sözeri was born in Nuremberg, Germany. In 1982 the family moved back to İzmir (Smyrna).

Ayta had confirmation surgery in her early 20s. She did a business degree at Ege University and then studied Turkish music at Dokuz Eylül University, both in İzmir.


After working as a support vocalist, Ayta started getting acting roles in television and then in films. She has been in 13 television programs and in 5 films.

In March 2018 she was awarded as Best Female Actress In A Supporting Role at the 50 SIYAD (Film Critics Association) Awards Ceremony, for her role in Aile Arasında (Within the Family).

TR.Wikipedia     IMDB


08 March 2018

How did pink become a girly colour?


Things not mentioned in the video below:

In Dutch pinck means little  (cf pinkie finger).  A variety of the flower genus Dianthus  was called pinck-ooghen (little flower).  This was taken into English in the 1570s as a name for the Dianthus.

From this time pink or pinke was used for being at one's zenith, be it health or accomplishment.  'In the pink' meant strong and healthy, and by the sexist conventions of the time was applied mainly to boys and men.  This was reinforced by Thomas Pink, an 18th-century London tailor who specialised in the scarlet jackets used in fox hunting.  Here is an article from FoxHunting World on whether their jackets are pink, red or scarlet.

 "It is the very pink of hideousness and squalid misery"  wrote Charles Dickens in 1845, of an Italian town that he disliked.

"Pure white is used for all babies. Blue is for girls and pink is for boys, when a color is wished."(Ladies’ Home Journal, 1890)

"If you like the color note on the little one’s garments, use pink for the boy and blue for the girl, if you are a follower of convention." (The Sunday Sentinel, March 29, 1914)

"Pink or blue? Which is intended for boys and which for girls? This question comes from one of our readers this month, and the discussion may be of interest to others. There has been a great diversity of opinion on this subject, but the generally accepted rule is pink for the boy and blue for the girl. The reason is that pink being a more decided and stronger color, is more suitable for the boy; while blue, which is more delicate and dainty is prettier for the girl. In later years the shade of pink has been much improved. Perhaps if we had had the delicate flesh tints when baby layettes were first sold, the rule might have been reversed. The nursery rhyme of‘‘ Little Boy Blue’’ is responsible for the thought that blue is for boys.  Stationers, too, reverse the colors, but as they sell only announcement cards and baby books, they cannot be considered authorities. If a customer is too fussy on this subject, suggest that she blends the two colors, an effective and pretty custom which originated on the other side, and which after all is the only way of getting the laugh on the stork." (The Infants’ Department, June, 1918, p. 161)


In 1922, Thomas Gainsborough's painting Blue Boy was acquired by the US magnate Henry Edwards Huntington for his art gallery in California.  He paid £182,200 (over £6 million today).  This created a huge outcry in Britain where it was a popular favourite in print reproductions.   Huntington hung the portrait in juxtaposition to Thomas Lawrence's Pinkie, and the two paintings were repeatedly associated.  The paintings were used as set decorations for many episodes of the American television show, Leave It to Beaver, (1957-63) which furthered the association.  This brought the association to those who don't read art criticism. 






















Smocked pink Polly Flinders baby dresses were popular for girls in the 1940s, as little boy blue sailor suits were for boys. 

Mid-1980s:  pre-natal testing became available and parents, family and friends bought baby clothes specifically for a boy or a girl, rather than just for a baby.




Futher reading:


  • "PINK: A shockingly butch cultural history of the world's prissiest colour".  Toronto Star, Jan 09 2010'. 
  • Jeanne Maglaty.  "When Did Girls Start Wearing Pink? Every generation brings a new definition of masculinity and femininity that manifests itself in children’s dress".   Smithsonian, April 08, 2011.  www.smithsonianmag.com/arts-culture/when-did-girls-start-wearing-pink-1370097.
  • J. B. Paoletti.   Pink and blue: Telling the boys from the girls in America.  Indiana University Press, 2012.   The major book on the topic.   She proposes that gender coding was inconsistent before the 1950s, but the current pink=girl/blue=boy took off after that. 
  • Marco Del Giudice.  "The Twentieth Century Reversal of Pink-Blue Gender Coding: A Scientific Urban Legend?"  Archives of Sexual Behavior, 41, 2012: 1321-3.   Argues against the reversal, and concludes: "Of course, the [Pink-Blue Reversal] PBR is a big stumbling block for biological explanations of gender-color associations; but far from being an established fact, the PBR shows many warning signs of a scientific urban legend. Uncritical acceptance of the PBR may have hindered theoretical and empirical progress in this fascinating area of research."
  • Lucy Waterlow.   "Too much in the pink! How toys have become alarmingly gender stereotyped since the Seventies... at the cost of little girls' self-esteem".  Daily Mail, 10 June 2013.  


ETYMONLINE      EN.Wikipedia   

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The Wikipedia article concludes: "The reality is that 'pink for girls, blue for boys' has existed continuously since at least the 1820s, while 'blue for girls, pink for boys' is only recorded between 1889 and 1941." 

Marco Del Giudice attempts a case that attraction to blue or pink is somehow biological.   He is what John Money called biological devout.

Even if there was not actually a blue-pink reversal in the 1950s, it being the case that the two systems were in conflict earlier, we are still dealing with a social construction in that the pink for girls was unknown before the 1820s, and that it did not rule unchallenged 1889 to 1941.

The US is the dominant country associated with the colour reversal.  It is also in the US that the red-blue political colours have been reversed.  Red has been associated with socialism and communism since the French Revolution, and now (only in the US) it is the colour of the plutocratic party.  British viewers find it nicely ironic that Trump frequently wears what looks very much like a Labour Party tie.



02 March 2018

Lotte Hahm (1890 - 1967) activist, bar owner, ball organizer

Charlotte Hahm was born in Dresden. As Lotte – sometimes as Lothar - Hahm was a transvestite and lesbian activist in 1920s Berlin.

From 1926 she ran the DamenKlub Violetta which had 400 members. She often performed her own cabaret act at the club. She hosted a New Year’s ball at the end of 1926, and her balls became part of the lesbian scene.

She sought to organize lesbians together with transvestites of both sexes. Newly arrived male-to-female transvestites were advised to see Hahm for advice on where to buy female clothing.

From 1928, Hahm was head of the women’s group in the Bund für Menschenrecht (BfM; Union for Human rights – founded by gay publisher Friedrich Radszuweit (1876-1932) in 1923).

E.K., like Hahm, an out transvestite, wrote against the 1920s fashion of a skirt topped by a man’s jacket and tie. He wrote in Die Freundin (The Girlfriend – a women’s publication that contained material for both male and female transvestites):
“What good are tuxedos to me when they are not accompanied by trousers? I will do without the tuxedo, but not the trousers.”
In 1929 Hahm founded the Monbijou Association, which later in the same year was merged with Violetta after the members so voted. She founded the Transvestitenvereinigung D`Eon (Transvestite Association) for both male and female transvestites, and led it for a year. This was so successful that a few weeks later they had to find a larger meeting place. Later the Association had its own dance events at Violetta. Its events were reported in Die Freundin.

Radszuweit and Hahm launched a new association, Bund für ideale Freundschaft (“Union for ideal friendship”), whose statutes were published in Die Freundin, 22, 28 May 1930. Balls and parties were fun, and fine, but they must also think about fighting for their rights.

That was the same year that Hahm started organizing annual steamboat trips on the Spree river.

Later the same year, the sexologist Franz Scheda linked lesbianism and prostitution, and claimed that “50% of Berlin’s prostitutes are lesbians”. Hahm organized a rebuttal lecture.

Hahm left the BfM in 1931, and in 1932 opened the Manuela Bar, where she performed as a comic with an accordion.

That same year, Hansi (not Hansi Sturn, the Miss Eldorado of 1926) took a very different position to that of E.K. and Lotte. She wrote in Die Freundin:
“I declare that we are not transvestites, with only a few exceptions, we masculine women do not wear suits or shirts and ties in order to wear men’s clothing. We want to remain women, which is why we also wear skirts. It is only the masculine touch that we emphasize. Female transvestites are as rare to find as homosexual male transvestites.”
However change was coming. In late 1932, police licences were to be denied to bars where only homosexuals danced, and in 1933, all same-sex dancing was banned. The last issue of Die Freundin was 8 March 1933. By then the Nazi Party had become the government.

In 1935 a stranger approached Hahm in Alexanderplatz, and asked her to watch his baggage. She was then inspected by the Gestapo, who found communist flyers in the man's baggage. It is said that she had been denounced by the father of a lover, who may have been under age. Hahm was sent to the concentration camp for women at Moringen. Reichsführer Heinrich Himmler visited the camp in May 1937, and a few months later decided to close the camp and relocate its prisoners.

Hahm was one of the few who was released, albeit half-paralyzed, probably in 1938. She returned to Berlin and again organized social evenings for lesbians, but it did not last long.

In 1945, under the occupation she again led a women’s club. In 1958 she was part of a group that attempted to re-establish the BfM.

She died aged 77.
  • E.K. “Meinungsaustausch der Transvestiten”. Die Freundin, 13, 11 July 1927: 6.
  • Lotte Hahm. “Mondscheinfahrt fur unsere Frauen!”. Die Freundin, 25 June 1930: 6 .
  • Lotte Hahm. “Mondschein-Dampferpartie von ‘Violetta’” Die Freundin, 2 July 1930:5.
  • Hansi “Die Welt der Transvestiten”. Die Freundin, 23, 8 June 1932: 6.
  • Florence Tamagne. A history of homosexuality in Europe : Berlin, London, Paris, 1919-1939, volume I & II. Algora Publishing, 2006: 79, 364.
  • Katie Sutton. The Masculine Woman in Weimar Germany. Berghahn, 2011: 118-9.
  • Julie Nero. Hannah Höch, Til Brugman, Lesbianism, and Weimar Sexual Subculture. PhD Thesis Case Western Reserve University, 2013: 102n334, 155, 374.
  • Marti M. Lybeck. Desiring Emancipation: New Women and Homosexuality in Germany, 1890–1933. SUNY Press, 2014: 151-2, 163, 165-7, 181, 187, 195-6, 231 n2,3.
  • Laurie Marhoeffer. Sex and the Weimar Republic: German Homosexual Emancipation and the Rise of the Nazis. University of Toronto Press, 2015: 56-8, 62-5, 200.

Lesbengeschichte

_________________________________

Pronouns.   There is no mention that Lotte asked to be addressed by male pronouns.   So in German Hahm was sie not er.   Being also active in feminist organizing, it would have been difficult to take the extra steps into masculinity.   While Virginia Prince combined transvestity with men's rights, Prince was never involved with the men's rights organizations of the period, and is not at all mentioned in the men's liberation books of the 1970s and 1980s.

Hansi's dress style combining a skirt and stockings with men's jackets and ties was common in the 1920s.  So it was more a fashion statement than identity expression.    Almost all of the photographs of Radclyffe Hall show her in a skirt.

There is no mention at all of Lotte Hahm in Halberstam's Female Masculinity.

27 February 2018

Gerd Winkelmann (1906–?) postal worker

Gerd Winkelmann was working for the post-office in Berlin in 1933 when he first obtained a Transvestitenschein (permit to cross-dress).

Two years later, after the Nazi takeover, he applied for an extension of the Transvestitenschein. Winkelmann pleaded that the discrepancy between the name on his papers and his appearance prevented him from getting a job, and that he could not wear female clothing because he was always taken to be a man. He stressed that he was not a lesbian. Three officials found his case to be plausible in that he looked like and passed as a man. They ordered the police to keep an eye on him.

In April 1936 the case was passed to the Geheime Staatspolizei (Gestapo), who requested a report from Herrn Professor Dr. Müller-Heß of the Berlin Institute for Forensic Medicine (Psychiatric division). His report is no longer in the archives.

In February 1940, the application was reprocessed. However it was announced that Winkelmann was a woman and must dress accordingly. A change of first name from Gertrud to Gerd would not be allowed. Winkelmann attempted to live as a woman, but met great humiliation.

  • Landesarchiv Berlin, A. Pr. Br. Rep. 30. Berlin C Tit. 198a 5. Allgemein, Nr.79.
  • Rainer Herrn. Schnittmuster des Geschlechts. Transvestismus und Transsexualität in der frühen Sexualwissenschaft. Giessen, 2005: 163-4.
  • Jane Caplan. “The Administration of Gender Identity in Nazi Germany“. History Workshop Journal, 72, Autumn 2011: 173.

26 February 2018

Jonathan Ferguson (1915 - 1974) pilot, engineer, civil servant

Joy Ferguson was born in Lurgan, County Armagh, and attended Lurgan College, a Christian instition which had admitted girls since 1918.

In 1939 while working as an electrical appliances demonstrator in the local electricity showrooms, Ferguson gained a Royal Aeronautical Club pilot’s licence. With this Ferguson was able to join the Women’s Air Transport Auxiliary (more), which moved planes around, especially from factories to airfields (the men pilots were all needed in combat). Ferguson flew as a 2nd officer and racked up over 1,000 flying hours, and continued with this commission after the war.

Ferguson was then employed by the Ministry of Supply working probably in aircraft research. She was also involved in the Air Rangers section of the Girl Guides, and was elected to the council of the Women’s Engineering Society.
Ferguson 1950s.  No post-transition photographs available

In 1958 Ferguson quit the WES. Shortly afterwards he announced that he had had a sex-change operation and was now Jonathan. He was even able to get his North Ireland birth certificate re-issued and the entry in the register of births changed. A spokesman for the civil service was quoted that “the alteration to the birth certificate will not affect his employment in the Ministry”, and he was upgraded to the male pay-scale.

Jonathan Ferguson died at age 59 after falling from a ladder while doing maintenance at home.

LGBTHistory

24 February 2018

Juno Dawson (1985–) school teacher, young adult author

James Dawson, from Bingley, Yorkshire, went to the University of Bangor (previously the University College of North Wales), moved to Brighton, Sussex, and became a school teacher of personal, social, health and economic (PSHE) education. He lived as a gay man.

He wrote young adult novels with gay characters. He also wrote the well-received Being a Boy, 2013, a guide for boys going through puberty. In 2014 Dawson wrote in the Guardian:
“I was unaware gay people even existed and, when puberty hit, found myself more than a little lost. I so dearly wish there had been just one book with a character who was a bit like me – just a normal teenage guy who happened to be gay. I would have especially loved one whose sexuality did not define him.”
The same year, he became the first male winner the Queen of Teen award where the shortlist are all nominated by teenage readers, who then vote for the winner.

Dawson published This Book is Gay for lesbian, bisexual, gay, queer, transgender or just curious persons, but mainly for teens and young adults. By this time Dawson had begun a gender transition. In 2015 she announced that she was transgender and that her name was Juno. Most of her books were re-issued with her new name (but not Being a Boy).

She was signed to write a column in Glamour magazine to document the experience of transition.
In an interview with Attitude magazine, May 2017, Juno says
"I think there are a lot of gay men out there who are gay men as a consolation prize because they couldn’t be women. That was certainly true of me."
She describes her identity as a gay man as a 'personal misdiagnosis', and believes that it is a more common phenomenon than one may think.


For her Glamour column, Juno interviewed the plastic surgeon Christopher Inglefield who does work for trans persons.  She was considering facial feminization surgery. She was then invited to be part of the ITV 3-part series documentary, Transformation Street. She is featured in episode 2. It fell to her to help educate the television crew on limits, such as the inappropriateness of childhood photographs. Initially the program was to be called Sex Change Clinic, and Juno had to make a fuss to explain that such terminology is outmoded.

Juno’s most recent book is The Gender Games: The Problem With Men and Women, From Someone Who Has Been Both, which restates for another generation that gender is a system of oppression for cis and trans both, mixed with autobiography.

*Not the US Actress, nor the other writers called James Dawson.
Amazon Author Page     EN.Wikipedia     Glamour

___________________________________

This book is gay contains the following diagram which I think is kinda neat:



19 February 2018

Eve Golden (1957–) film biographer

Golden was born near Philadelphia, the child of an electronics engineer and a high-school guidance secretary. The family was gay-friendly, and one grandmother was openly lesbian. Family funding paid the costs of transition including surgery.

Golden graduated from Philadelphia College of Art, 1975 (before it became part of the University of the Arts). She read Neils Hoyer’s book on Lili Elbe and Jan MorrisConundrum; started hormones at 18, started living as a woman at 20, and had surgery as soon as she was 21. Eve had done two years at Towson State University as a man, took a semester off and returned as herself. That was okay with the students, but less so with the faculty. The head of the theatre department said that he would never allow her on stage. She would be a distraction -- and what if an actor had to play a love scene with her. However Eve did graduate in 1979.

She acted for about five years: Off-Broadway, in commercials and summer stock. In 1984 Eve got a job as a secretary with a New York advertising agency, and talked her way into a copywriting position.

Being a classic-movie buff, she was annoyed that there was no good book on Jean Harlow, and eventually had a go at writing one herself. She managed to get an agent, a publisher and an advance, and the book came out in 1991. It got good reviews and sold well.

By that time she was working as a senior editor. She followed up with books on silent actress Theda Bara, 1997, Essays on Silent Film Stars, 1998, Anna Held and Ziegfeld’s Broadway, 2000, the 1950s actress Kay Kendall, 2002.

From 2005 Golden was working as a freelance writer and photographic archivist. In 2007 she published a book on the Ragtime dancers, Vernon and Irene Castle.


Eve next intended to do a book on Peg Entwistle, the British actress, who is mainly remembered in that she jumped to her death from the Hollywood Sign in 1932 at the age of 24. However after starting research, she discovered that a first-time writer, James Zeruk, was already working on such a biography. Impressed by the quality of his work, she helped him.

Her most recent books have been Essays on film stars 1930s-60s, 2009, and on the silent actor, John Gilbert, 2013.
  • Eve Golden. Platinum Girl: The Life and Legends of Jean Harlow. Abbeville Press, 1991.
  • Eve Golden. Vamp: The Rise and Fall of Theda Bara. Vestal Press, 1997.
  • Eve Golden. Golden Images: 41 Essays on Silent Film Stars. McFarland, 1998.
  • Eve Golden. Anna Held and the Birth of Ziegfeld's Broadway. University Press of Kentucky, 2000.
  • Eve Golden. The Brief, Madcap Life of Kay Kendall. University Press of Kentucky, 2002.
  • Eve Golden. Vernon and Irene Castle's Ragtime Revolution. University Press of Kentucky, 2007.
  • Eve Golden. Bride of Golden Images: Essays on Stars of the 1930s-60s. BearManor Media, 2009.
  • Eve Golden. John Gilbert : the last of the silent film stars. University Press of Kentucky, 2013.
  • James Zeruk, with an introduction by Eve Golden. Peg Entwistle and the Hollywood Sign Suicide: A Biography. McFarland Publishing, 2013.
  • Una Newling. “Eve Golden: Queen of the Dead“. Transas City, March 2014. http://transascity.org/eve-golden-queen-of-the-dead.

IMDB     EN.Wikipedia     Encyclopedia.Com     Amazon Author Page