Essays on trans, intersex, cis and other persons and topics from a trans perspective.......All human life is here.
This site is the most comprehensive on the web devoted to trans history and biography. Well over 1400 persons worthy of note, both famous and obscure, are discussed in detail, and many more are mentioned in passing.
There is a detailedIndexarranged by vocation, doctor, activist group etc. There is also a Place Index arranged by City etc. This is still evolving.
In addition to this most articles have one or more labels at the bottom. Click one to go to similar persons. There is a full list of labels at the bottom of the right-hand sidebar. There is also a search box at the top left. Enjoy exploring!
Arthur Munby reports in his diary for 23 July 1862:
'Coming thence along Oxford Street, I saw before me, striding along in company with an Italian organ-grinder, a tall young man in full Highland costume; wearing a Glengarry bonnet, a scarlet jacket, a sporran and a tartan kilt and stockings, his legs bare from the knee to the calf.'
Having met this person previously, Munby recognized that it was Madeleine Sinclair. The crowd that gathered to watch the highland dance were a bit confused:
'For no one could make out whether she was a man or a woman. Her hair and the set of her hips indeed were feminine; but her hard weather-stained face, her large bony hands, and her tall strong figure, became her male dress so well that opinions about equally divided as to her sex. "It's a man!" said one, confidently: "I believe that it's a woman", another doubtfully replied. One man boldly exclaimed "Of course it's a man; anybody can see that!" I gave her a sixpence when she came round with her tambourine; and she told me she had been in Paris for five months for pleasure, and was now living on Saffron Hill, and dancing in the streets every day, always wearing her male clothes.'
Derek Hudson. Munby, Man of Two Worlds: the Life and Diaries of Arthur J. Munby, 1828-1910. Abacus 1974: 131.
Penny Arcade is the stage name of Susana Ventura (1950 - ), performance artist and playwright. She has worked with many female impersonators and transgender actors. She performed with the Ridiculous Theater Company with Charles Ludlam, in the Jackie Curtis play Femme Fatal, and was in Women in Revolt, 1972, with Candy Darling, Jackie Curtis and Holly Woodlawn. She worked with Jack Smith, and was a friend of Quentin Crisp with whom she did a performance piece.
Her major drag performance is Margo Howard-Howard (1935- 1988 ) born Robert Hesse a New York drag artist who describes his adventures as a transy hooker in 1950s and 1960s New York, and his encounters with James Dean, the Windsors and Truman Capote. He was kept by a bigshot heroin dealer for four years, and after escaping the dealer and his drug addiction he met Judy Garland, Andy Warhol, Jackie Curtis, Tallulah Bankhead, Madonna and Elizabeth Windsor. He published his memoirs in 1988 as if an autobiography shortly before dying. The copyright page says: "This is a fictionalized memoir".
Most reviewers did not realize that Penny Arcade was performing Howard-Howard in her act, and took the autobiography at face value.
It is not known who posed as Margo in the photographs for the book, but here he is with Penny.
*Not Margo Howard, aka ‘Dear Prudence’, the daughter of ‘Ann Landers’.
Margo Howard-Howard with Abbe Michaels. I was a White Slave in Harlem. Four Walls Eight Windows. 1988. Reissued in 1991 with an Introduction by Quentin Crisp.
Jack Doroshow (1939 - 2017) Drag Name: Flawless Sabrina. Drag performer and organizer of pageants from Philadelphia. Through his company, The Nationals Academy, Jack organized 46 pageants a year from 1959-1967. As local laws almost always prohibited cross-dressing, he would meet with officials and propose a charitable donation, and in return the town would pass a variance to permit the pageant. Usually the town officials did not understand that local people would be performing. The 1967 finals held in New York was a much bigger affair. The Muscular Dystrophy Association was announced as the charity, and Lady Bird Johnson, the President’s wife, and Robert Kennedy were initially co-sponsors, but quickly dropped out as the nature of the event became clearer.
The event was filmed as The Queen, 1968, which was a sensation at the Cannes International Film Festival. On this basis Jack was hired as special advisor on Midnight Cowboy, 1969, and Myra Breckinridge, 1970. He played a gay mufti part in the thriller, The Anderson Tapes, 1971.
The 2002 short film, Between Two Worlds, is mainly about him, and he appears in the 2008 documentary about the transgender rock singer, Lisa Jackson.
Rachel Harlow (1948 - ). Born Richard Finocchio in Philadelphia, aka Rachel Billeboult. In 1967 Rachel was a very passable female impersonator, described as a 'natural wonder’, who always won the drag contests she entered, and she became briefly famous in the film, The Queen, 1968.
The contestants are shown chatting in their hotel rooms, discussing how they were not called in the draft, their boyfriends, why they would never have a sex change. Richard throws a fit because he does not have a suitable wig (although her own hair is quite feminine enough). The film includes shots of only Richard (as male as he gets) arriving and departing, and Richard, as Harlow on stage, gets longer and better-lit close-ups than the other contestants. She went to Cannes International Film Festival with the film and was a center of attention. David Bowie, in his androgynous phase, cited her influence.
She transitioned in 1972. In later years she was active running nights clubs, including Harlow’s at 22nd and Market, and in local television in Philadelphia.
For a long while that was all the public knowledge about Rachel. Then Wendy Leigh published her biography of Grace Kelly, and included two pages on Rachel, who had an affair with John B. Kelly, the brother of Grace, who would have married her if his mother had not threatened to disinherit him.
Crystal Labeija(? - ? ). Crystal was the other standout among the contestants in The Queen, under the title, Miss Manhattan. She threw a tantrum at the end after losing to Rachel Harlow.
She was the founder of the New York House of LaBeija in 1972, which in turn inspired others to declare Houses, sometimes named after themselves – e.g House of Corey after Dorian Corey, sometimes named after established fashion houses such as Chanel or St Laurent. Crystal Labeija is discussed, but does not appear in the 1990 film, Paris is Burning.
The young Billy Schumacher, who will later become the famous International Chrysis, and the young Kim Christy are in the chorus line, but are not identified.
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Frank Simon (dir). The Queen. Hosted by Jack Doroshow (Sabrina). US 68 mins 1968.
The evidence for ancient transpersons is usually a line or two in some writing that happened to survive. So it was especially noteworthy in 2002 when archeological evidence was found.
The archeological dig at Catterick in North Yorkshire, near the Roman military base, revealed the skeleton of a castrate dressed in women’s clothes and jewellery. She is believed to be a gallus dedicated to Cybele. She was buried with two symbolic pebbles in her mouth, in case she needed her virility back after death.
This is a fun book, associated with the glbtq encyclopedia site, and I spent many hours looking up favourite musicians. You can tell that it is a US book from some of the entry names: John, Sir Elton; Tippett, Sir Michael; Ashton, Sir Frederick; etc. Although it doesn't bother with French or German honours. Most entries have a bibliography attached, although it is always a bibliography and never a mediography, that is only printed sources are listed, never documentary films, and only rarely online resources. There are no discographies as such, but an artist's major works are mentioned in the text.
This is a glbtq project, so we expect t=transy musicians. And indeed there are some. Frederick Ashton, ballets Trockadero de Monte Carlo, Gladys Bentley, Ray Bourbon, Boy George, Divine, Annie Hindle, Christine Jorgensen, Lindsay Kemp, Charles Pierce, RuPaul, Craig Russell, Ethyl Smith, Sylvester plus general articles on Drag shows, Male Impersonators and Female Impersonators, Kabuki and Takarazuka. Jayne County doesn't get an entry of her own, but is mentioned in the survey of Rock Music. Likewise Billy Tipton is in the survey on Jazz. This is fine as far as it goes, but ...
I quickly came up with a list of over 50 musicians, singers and dancers not in the Encyclopedia. Here are 15 of them:
Willmer Broadnax (gospel singer); Angela Morley (saxophonist, conductor and composer, did the music for 29 movies and television shows, including the Goon Show, Scott Walker's early albums, two Eurovision Song Contests entries, earned two academy awards, etc etc.); Amanda Lear (not just a disco singer); Guilda (French singer-dancer who settled in Montreal); Dee Palmer (Royal Horseguards, Jethro Tull, orchestral arrangements of rock classics); Wendy Carlos (Switched-On Bach, electronic composer, several soundtracks); Canary Conn (singles in 1960s); Bridgett Martel (Quebec chanteuse); Bülent Ersoy (Turkish singer in classical and Arabesk styles); Genesis P-Orridge (Throbbing Gristle and Psychic TV, over 200 records); Angela Douglas (guitarist with Arthur Lee and Love, Euphoria, Warren Zevon, Jimi Hendrix) Sharon Cohen (Israeli winner of 1998 Eurovision Song Contest, stage name: Dana International); Keith Moon (drummer with The Who); Romy Haag (Dutch singer, actor, club owner); Logan Carter (singer and model).
Claude J. Summers. The Queer Encyclopedia of Music, Dance, & Musical Theater. San Francisco: Cleis Press, 2004.
In the Great War it was the convention that, among prisoners of war, officers were separated from other ranks, and, unlike the other ranks, were not obliged to work. In fact they were paid a small wage (this was largely discontinued in Russian camps after the Revolution). This left them time and opportunity to put on theatricals. The German and Austrian officer prisoners in the Siberian camp of Achinsk were in a White-Russian controlled area and were not freed until the Soviet Government took over the area in 1920.
The officers produced no fewer than 88 different stage productions before liberation.
The star in Achinsk was Emmerich Laschitz (189? - ?), described as "Siberia's most famous female impersonator”, who played female leads in many of the productions, and especially in Oscar Wilde’s Salome (which would not be seen in England until 1931). Like other camp stars, he lived in drag off stage, and had a circle of admirers who washed and ironed his clothes. He received passionate love letters from other prisoners.
: the Life and Diaries of Arthur J. Munby, 1828-1910. Abacus 1974: 131.
San Francisco: Cleis Press, 2004.
